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Blue Opening (Paperback)

Blue Opening by Chet'la Sebree

LONGLISTED FOR THE 2026 PEN/VOELCKER AWARD FOR POETRY

“A profound poetic talent.”—Ada Limón

Sale Date
ISBN
9781963108460
Page Count
96
Language
English
Dimensions
6 x 9
Imprint
Tin House
Chet'la Sebree
Longlisted for the 2026 PEN/Voelcker Award for Poetry

Los Angeles Times Book Prizes Poetry Finalist

“A profound poetic talent.”—Ada Limón


Blue Opening, Chet’la Sebree’s brilliant, illuminating poetry collection, grapples with origins—of illness, of language, of the universe—as the speaker contemplates whether she, too, can be a site of origin through motherhood. Navigating chronic health challenges alongside grief and questions about the nature of knowledge and religion, she searches personal history and the cosmos for answers to the unknowable.

With startling clarity and vivid tenderness, Blue Opening calls into question not only where to begin, but how to create, across thirty-two poems that press the fluid boundaries of form through sonnets, prose poems, odes, and two unforgettable poetic sequences. As the speaker traverses loss, possibility, and the choice, or often the lack of choice, in the direction of her future, she determines to press forward even as she is “unsure of what shape this language should take / and hulling, from blue rock, faith.”
  • “These poems wrestle with the cosmic without losing sight of the personal…. Wistful yet undaunted, this collection forges new beginnings out of elegy.”
    Publishers Weekly
  • “Magnificently connects the corporeal to the universal.”
    Largehearted Boy, A Favorite Poetry Collection of 2025
  • “These formally various poems are made in the ‘body’s vernacular.’ Cellular, full of becomings and endings, alert toward ‘the arrival of the infinite:’ Chet’la Sebree’s language becomes a strand of desire, a string of scream. Taking up questions of Black maternity, illness, desire, and grief, Blue Opening is an intimate and needed record. Sensuous and deft. Exquisitely made: ‘hulling, from blue rock, faith.”
    Aracelis Girmay, editor of So We Can Know

Tin House

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