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Dryland (Paperback)

Dryland by Sara Jaffe

Sale Date
ISBN
9781941040133
Page Count
240
Language
English
Dimensions
5⅛ x 7¾
Imprint
Tin House
Sara Jaffe
Sara Jaffe's engrossing debut novel, Dryland, is a smart coming-of-age novel that charts the murky waters of adolescence.

Anything can happen when Julie hits the water.

It’s 1992, and the world is caught up in the HIV/AIDS epidemic and the Balkan Wars, but for Julie Winter, 15, the news is noise. In Portland, Oregon, Julie moves through her days in a series of negatives: the skaters she doesn’t think are cute, the Guatemalan backpack she doesn’t buy at the craft fair, the umbrella she refuses to carry despite the incessant rain. Her family life is routine and restrained, and no one talks about Julie’s older brother, a one-time Olympic hopeful swimmer who now lives in self-imposed exile in Berlin. Julie has never considered swimming herself, until Alexis, the swim team captain, tries to recruit her. It's a dare, and a flirtation—and a chance for Julie to find her brother, or to finally let him go.
  • “Jaffe's directness of style . . .lends itself well to the emotional tenor of adolescence.”
    New York Times Book Review
  • “Jaffe’s exceptional debut, a heartfelt coming-of-age story set in Portland, Ore., in 1992, exquisitely captures the nostalgia and heartbreak of youth.”
    Publishers Weekly, STARRED REVIEW
  • “Its title notwithstanding, this moody coming-of-age novel is soaked in the damp of Oregon winters and poolside locker rooms. Julie, a high-school student, joins the swim team, hoping to orbit a female crush and to understand the disappearance of her brother, a former Olympic hopeful. She is exquisitely attuned to itches and aches—the constriction of a new bathing suit, the throb of a full bladder. Only the pool releases her to a dimension 'like sugar, like a dream.' Jaffe’s meticulous, frank texturing keeps the sex talks and scenes from sinking under tropes of adolescent awakening and presents queer desire as just one of Julie’s innumerable, unstoppable sensations.”
    The New Yorker

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